Not to mention a few vintage lenses. His presence had been specifically requested by one of the films starring trio, Jean Michelle Vincent, who happened to be a personal friends of Townends after the pair had met half a decade earlier surfing at Californias Hollister Ranch. IC: For about two months we were on the North Shore, filming mainly at Sunset, but also other places to get pick up shots. Greenough arrived with his own custom-built water housing and proceeded to take apart the 100 grand film camera provided to him by the production to fit it inside. Milius cancelled shooting for the day and let everyone surf. The fictional "Bear surfboards" logo and t-shirts, originally created by the filmmaker as props for the film, went on to become a popular surf trademark owned by Milius himself. It's all changed now."[7]. I dug a Yater spoon out of David Adornettos back yard and used it as my longboard, though we also brought our shortboards. The nostalgic celebration of friendship is strongly associated with the critique of contemporary capitalist American society. But we simply didnt take into account things like, oh, sharks, civil war and dysentery.. Denny Aaberg continues his life long passion for playing music. It become one of the most influential surf movies ever made. Some say the best surf movie Hollywood has made yet! There was perfect longboard waves coming through, a little groomed south swell at Cojo Point, and while the surfers managed to get out and score a few waves, it was the extras who had to suffer. Click Here to learn about Dan. It's a movie that I have never forgotten. The opening and closing sequences of Big Wednesday feature the three protagonists walking through the ruins of a decaying portico like kings of an ancient civilisation where traditional values such as heroism, courage and loyalty are still upheld. Big Wednesday is American writer-director John Milius' attempt to use surfing as a metaphor for life. But even though we did the Ranch for a month, and El Salvador for a couple of months, they still didnt have the big day, so they just said ok were going to Hawaii., were going to sit up there and make it happen. s.parentNode.insertBefore(t,s)}(window,document,'script', Several surf legends - Peter Townend, Ian Cairns, Jay Riddle and Bill Hamilton - were involved in the making of the film as stunt coordinators or doubles. Most famously, hes responsible for creating the character Colonel Kilgore in Apocolypse Now and writing the films most iconic line: Charlies dont surf.. t.src=v;s=b.getElementsByTagName(e)[0];s.parentNode.insertBefore(t,s)}(window, From left, Gary Busey, Jan-Michael Vincent and William Katt in Big Wednesday. PT leapt at the chance. Sure enough, the next morning we arrived to 4-6 perfect Cojo with only P.T., Cairns, Mark Warren, and Gerry Lopez out. Here hes getting pulled behind a boat, probably just killing time between takes. ). For those of you that dont know about George Greenough, you should learn. And with that, Ian Cairns was in. We were treated like rock stars and I still get a cheque every year from the screen actors guild. Big Wednesday went as far as moulding surfing iconography. Company Credits Robb Report. Above is a distant view of the set they made, a replica of the Malibu wall, complete with lifeguard tower. ), For starters, it was only decided that the tour was a tour halfway through the year, with a few events from the dozens of surfing comps that had already taken place around the world chosen retrospectively as the opening leg. WL: Of course, that was right in the middle of the whole Bustin Down The Door saga. IC: Well, it was pretty horrible in 76. When they were shooting, they would be riding longboards and no wetsuit, or maybe a top only. They also created a fictional Bear Surfboards label for this movie, which became quite popular for a while afterwards. Apple Computers was founded, NASA unveiled its first space shuttle, Concorde took its maiden commercial flight and, of equally critical importance, surfing had its very first crack at a joined-up international contest circuit. The enforcer (played by Reb Brown) was loosely based on a Malibu icon Ray Kunze, who patrolled the lineup and looked out for Milius and Aaberg in the late 50s, while Jack Barlow was loosely based on Aabergs older brother, Kemp. It doesn't work. A 20th Anniversary screening (which included cast and crewmembers) took place at the Newport Film Festival in 1998. The Novel Before the Movie. IC: Well in May we were in El Salvador, in the summertime, from August to September we were in the Ranch, then we did surf the winter events on the North Shore. "[14], Milius at one stage intended to play the role of the Bear himself. You had to have permission from the director, John Milius [to paddle out]. And then there was the surfing. I worry I might lose sight of the characters. His presence had been specifically requested by one of the films starring trio, Jean Michelle Vincent, who happened to be a personal friend of Townends after the pair had met half a decade earlier surfing at Californias Hollister Ranch. Another luminary brought in for this film was none other than Gerry Lopez. n.queue=[];t=b.createElement(e);t.async=!0; By the late 1970s surfing had become a fashionable, popular global sport. IC: One day I was at home in Australia and the phone rang and it was Hollywood calling. Most of the shots of Gary Busey paddling out are me, so I kind of have a lot of those stunt double pieces. n.push=n;n.loaded=!0;n.version='2.0';n.queue=[];t=b.createElement(e);t.async=!0; (1) George Greenough surrounded by his tools of the trade and (2) with his homemade housing. Bruce Brown, king of surfing documentaries, returns after nearly thirty years to trace the steps of two young surfers to top surfing spots around the world. He created this waterproof fiberglass housing for a big, bulky 35 mm movie camera. Of course, thats where you get all the stuff from Sunset that wraps up the movie. He had a lot of innovative ideas that changed surfing, and he created them. The heroes are depicted as walking like the kings of an ancient civilisation. Surf star Gerry Lopez, who would later appear as an actor in other films directed by Milius, played himself in the last sequence of the film. You know theyve got craft services there so you can go to the catering truck and order anything you want. "[12], When I did Big Wednesday my first impressions were that I was going to do this coming-of-age story with Arthurian overtones about surfers that nobody took seriously, their troubled lives made larger than life by their experience with the sea. Youre not allowed to drive into the Ranch, so every day youd just wait for your car to come and pick you up. We were samurai. In early 77, the points were counted and Peter Townend emerged as the first-ever winner, with fellow Bronzed Aussie Ian Cairns taking the runner up spot. This movie is about friendship: surfing is just the background. For those of you that dont know about George Greenough, you should learn. ), Cairns was renowned for his big wave prowess and radical manoeuvres in smaller waves. It never strayed from that. Youlll see in the movie Jean and Billy paddling out, pushing under and catching a couple of waves and then youll see the stunt doubles come in. We were paid for basically hanging out on the beach at Cojo all day. Cameras were stolen and the whole crew got sick, but in the end, it was an encounter with a local militia that really sent them packing. Even luckier was Denny, who got to help choose from hundreds of cute little beach bunnies. All Rights Reserved. Originally Milius envisioned the story as a novel and he included the treatment in a letter, entitled We were gods, to literary agent Lynn Nesbit. It was pretty bizarre. Conceived by Randy Rarrick and Fred Hemmings, The IPS, as it was known, was a little haphazard during that first foray according to those in attendance (or chaos if a certain wounded winged Novocastrian is to be believed. Several surf legends - Peter Townend, Ian Cairns, Jay Riddle and Bill Hamilton - were involved in the making of the film as stunt coordinators or doubles. They still used a stunt double for a lot of the surfing action, his was Bill Hamilton. While working on the script, Milius and Aaberg used Samurai stories, the Arthurian saga and Herman Melvilles Moby Dick as sources of inspiration. We had a huge bottle of water, and what they didnt tell us was they were filling it up out of the well, so everyone got amoebic dysentery. It is so very personal. IC: For about two months we were on the North Shore, filming mainly at Sunset, but also other places to get pick up shots. In the foreground is what Denny calls the crumple car. At some point, old cars were placed on the beach by ranchers to try to keep the surfers out. Milius and his friends George Lucas and Steven Spielberg famously agreed to exchange a percentage point of Big Wednesday, Star Wars and Close Encounters of the Third Kind prior to the release of the three films throughout 1977-1978. Ian Cairns, shown above, was the surf double for Gary Busey. (1) Cairns in a Sunset tube (2) PT off the bottom. He didnt really surf, where as Jean Micheal and Billy were reasonable surfers, so they were down there to have fun, hang out and shoot as many scenes as possible. I said of course, who wouldnt! Did working with them that winter help smooth things over a bit? Other highlights included a complex dual scoring system and hilariously swollen heats sizes, often featuring up to eight competitors, (which sounds like a heavy crowd, but thanks to a lack of leashes and clean up sets, still resulted in frequent periods of entirely empty lineup. Together with percussionist Sam Adams, they are the Saltwater Cowboys and play gigs on a regular basis. WL: Can you tell me about getting the call up to double for Busey? Nowadays, he lives inland in Connecticut, having traded trimming the waves down the Bu for clay pigeon shooting and smoking cigars in his later years. Milius, well-known for his involvement in successful productions such as Jeremiah Johnson, Dirty Harry and The Wind and the Lion, was considered to be one of the most promising filmmakers in Hollywood. Multiple scenes required surfers to ride waves up to 70 feet . Matt (Jan-Michael Vincent), Jack (William Katt) and The Masochist (Gary Busey) are three buddies who are the local surfing champions of Malibu in the early 1960's. In the background you see all the Hollywood chairs for the actors and such. Without going to Hawaii it would have fallen flat, but those big wave sequences at the end of the movie are pretty amazing. Remick says this was typical Greenough attire; barefoot, jeans, sweatshirt and self cut hair. A 17-year-old boy was busted for subway surfing in Queens on Wednesday just two days after another teenager was killed pulling the same stunt on the Williamsburg Bridge.. They were depicted as both titanic figures who embody physical perfection and barbarians who refuse to conform to the rules of civilised society. Im actually really stoked on the surfing in that final sequence, they did a really good job stitching it all together . I tore up your lawn with my '40 Ford Matt Johnson: Took my pants off in front of your friends Matt Johnson: And I even passed out in your closet, but I never, and I don't know who could have if I didn't, but I never, and I repeat never, ever pissed in your steam iron. Heres Jan Michael Vincent again. Above and below are Peter Townend. The $11 million PG-rated Big Wednesday was the only Hollywood movie of its kind in the '70s. All of a sudden he realised hey theres a lot of shit going on out there in the water. fbq('init', '916699485848838'); P.S. Los Angeles Times 21 August 1977: n7. The first week was fairly fraught, beset by illness, bad waves and a standoff with a gun-toting local militia. We know these are freesurfing shots because hes riding a late 70s shortboard. Of course, thats where you get all the stuff from Sunset that wraps up the movie. Although Milius, a self-proclaimed gun-loving Zen Anarchist, blamed Hollywood executives for blacklisting him on the grounds of his outspoken right-wing beliefs, his decline was caused, more likely, by a series of box-office flops and a stroke in 2010. Barbara Hale, mother of William Katt, plays a small role in the film. [1], Big Wednesday was a box office flop upon its release, and was quickly pulled from theatres after taking in only $4.5 million. The film is set in California between 1962 and 1974 and follows the lives of three surfers: Matt Johnson (Jan-Michael Vincent), a self-destructive local surf star, and his two best friends, Leroy The Masochist Smith (Gary Busey) and Jack Barlowe (William Katt). by Information Press, Behind The Scenes On Big Wednesday: Tales From The Set With Stunt Double Ian Cairns Wavelength Surf Magazine, Alan Nafzger's Los Angeles Surfing Drama - VERITY'S SURFING MOVIE, Kanga The Trials and Triumphs of Ian Cairns, Historic San Augustine is Set for This Weekends Heritage Days, Judge Revives Lunada Bay Lawsuit: Localism Is Illegal and Cities TheInertia.com, From Hawaii to South Africa: Top 10 surfing destinations around the world, Matthew McConaugheys dashing young son collects , Architect Ed Niles Designed This Massive Geometrical Manse on the Malibu Coast. With our encyclopedic knowledge of the worlds waves, we decided there were a couple of surf points we could use there, Milius recalls in an interview with Sports Illustrated. They formed their own company, The A Team. Copyright 20102023, The Conversation US, Inc. "Big Wednesday" started as a novel written by John Milius and Denny Aaberg and was initially published in 1978 by Bantam Books. September 10, 2020. The prevailing wind is offshore, summertime theres swells. He has since had a long and illustrious career promoting surfing as a sport. tui annual report 8, 2022. "John has fallen in love and is getting married and that's opened up this other side of him," said star William Katt in October 1977. Im actually really stoked on the surfing in that final sequence, they did a really good job stitching it all together . And the climactic showdown between the heroic trio and the monster waves is so good it makes up for the rest (the trio's Wild Bunch-inspired walk to destiny is by far Milius's finest cinematic moment) More than any other movie Milius directed, Big Wednesday contains the joy of filmmaking (he waited his whole career to make this movie). Academy Award-nominee Gary Busey ("Under Siege," "The Firm") stars in a story of three young surfers searching for meaning as their lives change in the '60s and '70s. On this Wikipedia the language links are at the top of the page across from the article title. When John Milius made Big Wednesday in 1978, he was considered one of the most promising filmmakers in Hollywood. You can see the wave all over Instagram today, with all the surf teams there. Malibu in the early 60s, immediately post-Gidget, when some old-timers were already arguing the breaks best day were behind her. "[23], The review aggregator Rotten Tomatoes reports a 67% approval rating, based on 12 reviews, with a weighted average of 6.50/10. WL: Can you tell me about getting the call up to double for Busey? She later called the film "a classic example of an egomaniacal insane man going over budget and not listening to anyone. Great feature on Big Wednesday. But to be perfectly candid my interest in competing on the tour dramatically diminished, because I realised there was another world out there. WL: Are there any other memories from that trip that particularly stand out? After roping in a few replacements, including Billy Hamilton, to stand in for Vincent and famous Malibu surfer Lance Carson to double for the third star, Gary Busey, the crew set off for El Salvador, where the filming for Big Wednesday got underway. Or, subscribe to Wavelength now to get free entry to a screening of your choice.]. The lives of some California surfers from the early 1960s to the 1970s. The surfers and stunt doubles with director John Milius. I first saw this film in 1978, my father took me to see it with my brothers at the drive-in as a double feature with "Every Which Way But Loose." When it comes to authentic depictions of a surfing life, few Holywood films hold a candle to 78 cult classic Big Wednesday. She said it was the last shot on the roll. "It was the most personal film I'd done," said Katt. With this reunion, the transition in their lives becomes the end point of what the 1960s meant to so many as they see that the times have changed, and what was a time of innocence is gone forever. The production team would send him out on partially sawed through boards, to ensure that when he reached the trough of each set wave, the board would duly shatter beneath his feet. Press release, August 6, 2008. The picture stars Jan-Michael Vincent, William Katt, and Gary Busey as California surfers facing life and the Vietnam War against the backdrop of their love of surfing . Wed surf and then get a filet mignon for lunch. fbq('track', 'PageView'); Copyright 2020 Surfing.LA. Photo via www.bearsurfboards.eu. Monster waves swept into Cape Town this week, with surfers jumping at the chance to experience the unforgettable huge surf. It was super fun. But not just any BEAR Surfboard made for Big Wednesday -- we have for you the Original Bear Surfboard made for Big Wednesday director John Milius. Here well present a miscellany of facts, trivia and anecdotes from behind the scenes on Big Wednesday. Over the last 40 years, John Milius surf cult movie, Big Wednesday (1978), has made a mark on global popular culture. No Ads. Frank McRae played a tough Army Sergeant at the induction center. The board I was riding was an 86, so it wasnt really a longboard, but it worked kind of fun. Browse the full lineup and get your ticket here. Big Wednesday - The Hottest Ride Ever: Matt (Jan-Michael Vincent) is praised for his magnificent ride, but he, Jack (William Katt) and Leroy (Gary Busey) know that their summer days are over.. These were all props, created for the film, since this portion of it was taking place in the early sixties. As he remembers, it was some sort of military vehicle that was there for years and years. George had broken it up into pieces and [stuffed it into] that yellow fibreglass thing. He would then either place the big homemade housing on his shoulder while sitting on a board in the channel or balance it on his surf mat. Ian Cairns, shown above . Purchase Big Wednesday on digital and stream instantly or download offline. (2) On the surf trip to Mexico, reportedly inspired by true events. "[11], However, Milius changed his mind again. [The Wavelength Drive-In Cinema is back for 2021, bringing you a range of surf cinema, cult classics and family favourites from the clifftops of Cornwall, kicking off with Surfs Up and Big Wednesday on Friday 16th July. [13], The leads were played by Jan Michael Vincent, Gary Busey and William Katt. This is a great shot of Jan Michael Vincent, one of the actors that actually could surf. This thing would be wrapped up in two weeks. So wed gone from death threats in 76 to having them protect us in the water the following winter. BIG WEDNESDAY Wednesday, April 24, 2019 7:30 PM 9:30 PM Pacific City (map) Join us at our gallery space at Pacific City, Huntington Beach this Wednesday, April 24th for a screening of BIG WEDNESDAY and special guest legendary Australian ripper and Big Wednesday stunt double IAN CAIRINS. The fictional Bear surfboards logo and t-shirts, originally created by the filmmaker as props for the film, went on to become a popular surf trademark owned by Milius himself. Its pretty sweet, Ill tell you that. Set in Malibu over a twelve-year period between 61 and 74, it centres on three friends Jack, Leroy and Matt following them from their hedonistic youthful days, surfing, partying and talking with their fists, through their transition to adulthood in the shadow of the Vietnam War. All of a sudden he realised hey theres a lot of shit going on out there in the water. The water camera hes holding was one of those ideas. In Milius film, the surfers are the last true American pioneers whose courage and heroism are forged by their ability to live at the intersection between nature and culture. The cult success lay in its ability to combine the accurate observation of real people and events, the reproduction of believable stunts and performances, and a supercharged sense of the mythic. The film makers had what they refer to as a cattle call up at the Riviera theater to select the lucky folks. Jean Micheal Vincent and Billy Kat were there but the Masochist wasnt. | We grabbed our boards from the bushes and had a session with the pros for the 45 minutes it took for the truck with everyone elses boards to show up. Next day, the cars had new (old) license plates. All the main characters were inspired by real people, in particular surf legends Lance Carson and Kemp Aaberg and surfboard makers Hap Jacob and Dale Velzy. Among these was Kym Herrin, who later gained fame as a Playboy bunny. The three make the difficult transition to adulthood with parties, surf trips, marriage, and the war. Terry Remick is now heavily involved with the marketing of vintage rail trips along the central coast. The picture was screened at various film festivals, including: the Davao City Film Festival, Philippines; the Turin Film Festival, Italy; and others. | Milius Waxes Up 'Big Wednesday' Although two of the lead actors Jan-Michael Vincent and Willliam Kat had been surfing since childhood, Milius brought in an all-star cast of surfing talent to serve as stunt doubles, including World Champ Peter Townend (whose surfing shines throughout), Ian Cairns, Billy Hamilton, Jay Riddle and Jackie Dunn. Jean Micheal Vincent and Billy Kat were there but the Masochist wasnt. Give me a break! We never got a Big Wednesday day down there, and I was always just saying to Milius, dude, you should have just gone to Western Australia. In early 77, the points were counted and Peter Townend emerged as the first-ever winner, with fellow Bronzed Aussie Ian Cairns taking the runner up spot. Raised in Southern California, Milius made Big Wednesday as an homage to the time he spent in Malibu during his youth. WL: Tell me about the filming of the final sequence? "He was going to do another gun and guts macho fight film but he decided to do this; he decided he needed this in his life. When Milius saw them sat next to each other, he couldnt believe the likeness, immediately switching PTs role to that of Kats double instead. After that whole period in El Salvador, they wanted to do some shots in California so they set up at Bixby Ranch to get that really sparkling California look. Although access has since opened up a little, back then it was only residents and boat owning day-trippers who could surf along the stretch.